Plays in Translation Production History

  • 1789, Théâtre du Soleil (Sibikwa Arts Centre, 2023)
  • 1793, Théâtre du Soleil
  • Autophagies (Self-Eaters), Eva Doumbia & Armand Gauz (The Invisible Dog Art Center + Ashé Cultural Arts Center, 2023)
    • Autophagies (Self-Eaters), Eva Doumbia & Armand Gauz (staged reading) (Alliance Française of New Orleans, 2022)
  • I wouldn't have made it here if..., multiple authors (supertitles) (Théâtre Raymond Kabbaz, 2022)
  • e-smuggler.com, Sedef Ecer (staged reading) (Voyage Theater Company, New York Public Library, 2018)
  • First Lady, Sedef Ecer (Pittsburgh International Classic Theatre, 2025)
  • The Heart, Maylis de Kerangal (supertitles) (FIAF, 2019)
  • JULIUS, Penda Diouf (staged reading) (CUNY Segal Center, 2026)
  • Louise, she's crazy, Leslie Kaplan (The Melancholy Players, Sarah Lawrence College, 2013)
  • Parable of the Sour, Rébecca Chaillon (supertitles) (Festival d'Avignon, 2026)  
    • Parable of the Sour, Rébecca Chaillon (supertitles) (Free Republic of Vienna Festival, 2026)
  • Porcelain Ballet, Anne-Claude de Caylus
  • Portrait of Ludmilla as Nina Simone, David Lescot (supertitles) (Seuls en Scène Festival, 2018)
  • Rather Vomit than Fail, Rébecca Chaillon
  • The Day My Father Killed Me, Charlotte Boimare & Magali Solignat (Zoom reading) (Voyage Theater Company, 2020)
    • The Day My Father Killed Me, Charlotte Boimare & Magali Solignat (staged reading) (CUNY Segal Center, 2019)
  • The Dyke Orchard, Rébecca Chaillon & Sandra Calderan (supertitles) (Moving in November, 2025)
    • The Dyke Orchard, Rébecca Chaillon & Sandra Calderan (supertitles) (Kaaitheater, 2025)
    • The Dyke Orchard, Rébecca Chaillon & Sandra Calderan (supertitles) (Free Republic of Vienna Festival, 2025)
  • The Inherent Burden of Me, Guy Régis, Jr. (supertitles) (Seuls en Scène Festival, 2022)
  • The Last Scene, Alain Foix (staged reading) (Voyage Theater Company, New York Public Library, 2017)
  • The Possessed of Illfurth, Yann Verburgh with Lionel Lingelser (supertitles) (Seuls en Scène Festival, 2023)
  • Tracks, Trails, and Traces..., Penda Diouf (Seuls en Scène Festival, 2020)


World Voices: PENDA DIOUF (Senegal / France) | Segal Center CUNY

Join us for an evening with Penda Diouf--one France's most significant emerging playwrights for the reading of JULIUS, a work in progress about the queer African-American composer Julius Eastman. A new translation by Amelia Parenteau, directed by Keith Josef Atkins, THE NEW BLACKFEST. With New York actors YVETTE GANIER, XAVIER SCOTT EVANS, and DEVIN KESSLER.Followed by a talk with Penda Diouf, Keith Josef Atkins, Frank Hentschker and a reception.Penda Diouf (Senegal/France), is a French playwri...

Parable of the Sour - Vienna Festival (Wiener Festwochen)

Production Compagnie Dans le ventre Coproduction Vienna Festival (Wiener Festwochen) | Free Republic of Vienna, Théâtre Public de Montreuil – Centre dramatique national, Théatre National Wallonie-Bruxelles, Les Nuits de Fourvière – Lyon International Metropolis Festival, Comédie de Genève, Dublin Theatre Festival, tnba – Théâtre National Bordeaux Aquitaine, Le Volcan – Scène nationale du Havre, La Criée – Théâtre National de Marseille, Le Carreau du Temple (Paris), Le Maillon Théâtre de Strasbou...

La Gouineraie – Moving in November – Liikkeellä marraskuussa

Rébecca Chaillon, a dyke from the city, and Sandra Calderan, a country lesbian, are a couple on- and off-stage. In this joyful, intimate performance, they attempt to deconstruct, dissect, and analyse what it means to ‘form a family’. La Gouineraie invites the audience into their home-in-the-making. While Sandra makes frantic attempts to build as many little homes as possible from scrap wood, city girl Rébecca comes to give the countryside a chance. Surrounded by building materials, wrestling w...

First Lady - Past Productions — PICT Classic Theatre

2025First Lady by Sedef Ecer, translation by Amelia Parenteau- Directed by Adil MansoorMiss Julie by August Strindberg, Adapation by Amy Ng- Directed by Elizabeth Elias Huffman2024Andy Warhol’s Tomato: Vince Melocchi- Directed by Elizabeth Elias HuffmanWhat do I Wear? 2500 Years of Fashion in Theatre- Fundraiser- Directed and Curated by Elizabeth Elias HuffmanBards from the Burgh Reading Series II: The Wake by Tammy Ryan- Directed by Chris ClavelliThree Blind Mice by Darren Friedman-Directed by...

La Gouineraie - | Kaaitheater

Rébecca Chaillon, a dyke from the city, and Sandra Calderan, a country lesbian, are a couple on- and off-stage. In this joyful, intimate performance, they attempt to deconstruct, dissect, and analyse what it means to ‘form a family’.  Together, they invite the audience into their home-in-the-making. While Sandra makes frantic attempts to build as many little homes as possible from scrap wood, city girl Rébecca comes to give the countryside a chance. Surrounded by building materials, wrestling wi...

La Gouineraie (The Dyke Orchard)

Sandra Calderan and Rébecca Chaillon, self-proclaimed 'countryside lesbians', will turn the stage into a laboratory of chaos and present a model for a utopian world in this joyful performance. Can feminism and 'gouinerie' (lesbianism) save lives? Rébecca Chaillon and Sandra Calderan, self-proclaimed 'countryside lesbians' and a couple off stage, too, playfully deconstruct the myth of the traditional, heterosexual and catholic family model with its icons of Daddy and Mummy in this joyful performa...
Contemporary Francophone African Plays book cover

Contemporary Francophone African Plays

Bringing together in English translation eleven Francophone African plays dating from 1970 to 2021, this essential collection includes satirical portraits of colonizers and their collaborators (Bernard Dadié’s Béatrice du Congo; Sony Labou Tansi’s I, Undersigned, Cardiac Case; Sénouvo Agbota Zinsou’s We’re Just Playing) alongside contemporary works questioning diasporic identity and cultural connections (Koffi Kwahulé’s SAMO: A Tribute to Basquiat and Penda Diouf’s Tracks, Trails, and Traces…).
South African woman on stage in petticoats

1789 at Sibikwa

VERY OCCASIONALLY, YOU feel that sense of privilege in the presence of an artwork that brings tears and goosebumps. From the very first roll of the snare drum with the thunder of a jembe and a dun-dun behind it, Sibikwa’s 1789 will have you transfixed. It’s immersion theatre like nothing you may have experienced before, and it will take your heart and spirit and shift it all seismically for an unspeakably fine 90 minutes.

Successful Women, Inspiring Stories

Adapted from a series of revelatory interviews by Annick Cojean, a special correspondent for Le Monde and one of France’s most widely admired journalists, we delve into the intimate lives of trailblazing women who have shaped French culture, like Christiane Taubira (politician and 2022 French presidential candidate), Gisèle Halimi (lawyer and essayist), Virginie Despentes (writer, novelist, and filmmaker), Françoise Héritier (anthropologist and ethnologist), Nina Bouraoui (novelist and songwriter), and Amélie Nothomb (novelist).
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Talking About Theater in Translation

Smiling woman on stage holding a microphone gestures with her hand

On Translating, Adapting and Producing International Theater on the US Stage

Part of In Scena! Italian Theater Festival NY 2024 A panel following the experience of the Mentorship Hystrio Scrittura di Scena at In Scena! on Translating and Adapting. Featuring: Giulia Cowie, actor, translator Rossella Fava, Mentee, Hystrio Scritture di Scena at In Scena! Amelia Parenteau, writer, translator Frank J. Avella, Mentor – In Scena! 2023 Moderated by Laura Caparrotti, Artistic Director, In Scena!

On Translating Nobel Laureate Jon Fosse’s Works for American Audiences

Sarah Cameron Sunde is an interdisciplinary artist and director working at the intersection of performance, video, and public art. Her current practice, rooted in the visual arts, explores deep time, embodiment, and ecological crisis, and it is informed by her decades of experience as a theatremaker, director, and translator. Amelia Parenteau is a writer, translator, and theatremaker who has translated fifteen plays from French into English.

Why the American Theatre Needs Nobel Laureate Jon Fosse

Jon Fosse is one of only a handful of playwrights to be awarded the Nobel Prize in Literature out of 120 people in the last twelve decades. With this rarity, it is important to acknowledge the lack of access we have in the U.S. to experience masterful international plays. Why is it important for the American theatre to experience plays from abroad? And how can we move the needle to encourage more production of plays in translation into American-English?